Open Access
Int. J. Simul. Multidisci. Des. Optim.
Volume 13, 2022
Article Number 24
Number of page(s) 10
Published online 25 November 2022
  1. J. Cong, D. Shangping, G. Jinglei et al., Tutorial on Artificial Intelligence (Tsinghua University Press, 2007), p. 2 [Google Scholar]
  2. M. McLuhan, in Understanding Media: The Extensions of Man, edited by W. Terrence Gordon (Gingko Press, 2003), p. 5 [Google Scholar]
  3. H. Jie, Artificial intelligent driven innovation in art, Decoration 11, 12 (2019) [Google Scholar]
  4. B. Yanqiu, Research on Interactive Art Design Based on Artificial Intelligence, MA Thesis, Zhejiang University of Technology (2019) [Google Scholar]
  5. M. Jeon, Robotic arts: current practices, potentials, and implications, Multimodal Technolog. Interact. 1, 5 (2017) [CrossRef] [Google Scholar]
  6. R. Kurzweil, How to Create a Mind: The Secret of Human Thought Revealed, translated by Sheng Yang Yan (Zhejiang People’s Publishing House, 2016), pp. 184–189 [Google Scholar]
  7. B.F. Laposky, Oscillons: electronic abstractions, Leonardo 65, 340–347 (1969) [Google Scholar]
  8. C. Yongdong, W. Lintong, Z. Jing, Introduction to Art and Design in Digital Media (China Youth Publishing House, 2018), p. 175 [Google Scholar]
  9. H. Cohen, The further exploits of AARON, painter, Stanford Humanit. Rev. 4, 141–158 (1995) [Google Scholar]
  10. L. Moura, A new kind of art: The robotic action painter. X Generative Art Conferece, Politecnico di Milano University (2007) [Google Scholar]
  11. M. Alexander, C. Olah, M. Tyka, Inceptionism: Going deeper into neural networks, Google Research Blog (2015) [Google Scholar]
  12. A. Van Biesbroeck, S. Feifei, D. Bassir, CAD model segmentation via deep learning, Int. J. Comput. Methods 18, 2041005 (2021) [CrossRef] [Google Scholar]
  13. A. Elgammal et al., CAN: Creative adversarial networks, generating art by learning about styles and deviating from style norms (2017). arXiv:1706.07068 [Google Scholar]
  14. J. Chang, The advantages and limitations of contemporary application of artificial intelligence technology in visual art creation, Hebei Pictorial 6, 74–75 (2022) [Google Scholar]
  15. C. Yongdong, Reflections on the artistic possibilities, creativity and emotions of artificial intelligence, Yangtze River Literat. Art Rev. 6, 57 (2021) [Google Scholar]
  16. L. Shengchuan, The Creative Science of Lai Shengchuan (CITIC Press, 2006), p. 57 [Google Scholar]
  17. Y.N. Harari, Homo Deus: A Brief History of Tomorrow (HarperCollins, New York, 2017), p. 389 [CrossRef] [Google Scholar]
  18. J. Searle, Minds, brains, and programs, Behav. Brain Sci. 3, 417–424 (1980) [CrossRef] [Google Scholar]
  19. M. McLuhan, in Understanding Media: The Extensions of Man, edited by W. Terrence Gordon (Gingko Press, 2003), pp. 5 [Google Scholar]
  20. M. Fanwei, G. Mengyuan et al., The future of artificial intelligence and art, Art Observ. 266, 4–21 (2017) [Google Scholar]
  21. X. Jinghui, Crashing into artificial intelligence, art has more room for imagination, Wen Wenhui Daily 2, 2 (2019) [Google Scholar]
  22. H. Jie, Artificial intelligent driven innovation in art, Decoration 11, 12–17 (2019) [Google Scholar]
  23. W. Lingyu, H. Jie, Cognition and innovations of art forms driven by artificial intelligence, Hunan Packag. 6, 11 (2020) [Google Scholar]
  24. T. Binkley, The computer is not a medium, Philos. Exchange 19, 17 (1988) [Google Scholar]
  25. W. Tianxiang, The rise of artificial intelligence art - human art and “human-like art”, Contemp. Artists 5, 8–9 (2018) [Google Scholar]
  26. A. Hertzmann, Can computers create art, Arts 7, 18 (2018) [CrossRef] [Google Scholar]
  27. T. Kebing, Artificial intelligence art as “human-like art”, J. Southwest Univ. Natl. 5, 183 (2020) [Google Scholar]
  28. Park Art PURSUE, Winter Olympic Games Opening Ceremony, Those Amazing 3D Animations (2022). Available at: [Google Scholar]
  29. Z. Lu, What are the “Black Technologies” in the Winter Olympic Games? How to enter people’s lives in the future? Xinjing News (2022). Available at: [Google Scholar]
  30. Z. Chen, L. Mengqi, Z. Yidi et al., Winter Olympics technology panorama, China Electronic News 6, 6 (2022) [Google Scholar]
  31. S. Smale, 2022 Beijing Winter Olympics kicks off with a ‘simple’ show and a message of ‘One World, One Family’. ABC News (2022). Available at: [Google Scholar]
  32., Demystifying the Technology “Aesthetics” of the Opening Ceremony of the Beijing Winter Olympics (2022) [Google Scholar]
  33. Beijing Zhiyuan Institute of Artificial Intelligence, From the Winter Olympic Games Opening Ceremony, what is the artistic attainments of AI? (2022). Available at: [Google Scholar]
  34. Z. Fanren, The harmony between man and nature—ancient chinese “aesthetics of life”, Soc. Sci. 1, 28–33 (2016) [Google Scholar]
  35. L. Zehou, The journey of beauty, Sanlian Bookstore 42 (2014) [Google Scholar]
  36. T. Giannini, J.P. Bowen, C. Michaels et al., Digital art and identity merging human and artificial intelligence: enter the metaverse, Proc. EVA London 2022, 1–7 (2022) [Google Scholar]
  37. T. Shuai, C. Xuedi, C. Gongfa et al., Structural damage detection based on convolutional neural networks and population of bridges, Measurement 202, 111747 (2022) [CrossRef] [Google Scholar]
  38. G. Sofiane, D. Bassir, Neural network computation for the evaluation of process rendering: application to thermally sprayed coatings, Int. J. Simul. Multidiscipl. Des. Optim. 8, A10 (2017) [CrossRef] [EDP Sciences] [Google Scholar]
  39. W. Yuping, F. Jianhua, A study on the artistic creation value of artificial intelligence painting, Art Rev. 9, 45 (2019) [Google Scholar]
  40. J. McCormack, T. Gifford, P. Hutchings, Autonomy, authenticity, authorship and intention in computer generated art, in International conference on computational intelligence in music, sound, art and design (part of EvoStar) (Springer, Cham, 2019), pp. 35–50 [Google Scholar]
  41. C. Qijia, G. Jia, AI art issues in the age of AI, Chin. Foreign Cult. Literat. 3, 254 (2020) [Google Scholar]
  42. M. McLuhan, in Understanding Media: The Extensions of Man, edited by W. Terrence Gordon (Gingko Press, 2003), p. 31 [Google Scholar]
  43. W. Welsch, Undoing Aesthetics. Translated by Lu Yang et al. (Shanghai Translation Press, Shanghai, 2002), pp. 10 [Google Scholar]
  44. D.C. Dennett, When philosophers encounter artificial intelligence, Daedalus 117, 294 (1988) [Google Scholar]

Current usage metrics show cumulative count of Article Views (full-text article views including HTML views, PDF and ePub downloads, according to the available data) and Abstracts Views on Vision4Press platform.

Data correspond to usage on the plateform after 2015. The current usage metrics is available 48-96 hours after online publication and is updated daily on week days.

Initial download of the metrics may take a while.